Wednesday, April 20, 2011

Mckeon and Foucault Talk

Mckeon and Foucault both address the relation of privacy and power in their writings.  However, the manner in which they do so differs.  Mckeon takes a more passive approach, almost opposite of Foucault, by concentrating on privacy and the divisions of a building to promote privacy.  Foucault concentrates on the partitions of space to promote separation and publicity.  In order to maintain power, privacy becomes a major role.  In Mckeon’s example of the birthing room where behind closed doors only women were allowed, this space becomes mystified by men.  It is similar to the mystification caused by the central tower in the panopticon, since it is not known what is going on in either.  Mckeon illustrates how the political elite exhibit more private architecture in their homes.  This is important to mystify power while the poorer subjects remain more visible. Just like the panopticon, visibility promotes control.  Mckeon chooses not to reference Foucault in his essay and I believe it is a powerful move.  By not relating his work to a motivating force like Foucault, he is able to take his own ideas and express them in a manner that emulates his work but does so in an extremely different manner.  Effective control of masses can be expressed by the degree of privacy and publicity exhibited.  Powerful forces, while public appearances are often made, stay hidden and mystified from the public domain.  This can be seen by many world leaders and dictators.  The common person is then controlled by a workforce such as the police or military. Partitioning space allows the mysticism of power and the control of masses by separation and distinction of individuals.  Each essay is an equivalent match in terms of persuasion, but Foucault is more direct in his expression and can therefore influence, to a greater degree, the readers more effectively.  

Division of power and class can be seen by the partitioning of space.  One is more private allowing mysticism, while the other is more public offering control. 



Friday, April 1, 2011

Panoptic Influence in Modern Society

The Panopticon is a simplistic structure that is able to harness the power of the unknown to control a mass of individuals.  This plain design, an outer ring of cells circling a central tower, relies on the idea that someone being watched will be less likely to act out or will increase productivity.  But is this truly the case?  Foucault uses the metaphor of the plague that swept through Europe as an example of its effectiveness.  The plague, he describes, as a force that allowed the complete control of a town.  When the plague would break out, the masses would be quarantined to their homes and every individual would be accounted for.  If you were to leave your home you could be killed.  And it was this fear of being discovered escaping that led to the extreme effectiveness of the plague as a governmental enforcer.  The Panoptic principle of observation as the largest deterrent of acting out can be seen in modern situations.  The use of security cameras, in most cases, will deter the criminal from committing a crime.  However, just like the tower in the Panopticon does not need a person inside to still work effectively, the cameras do not have to even be hooked up or real for that matter to still deter crime.  In Bordo and Nochlin, the advertisers influence the public to dress and behave like the individuals in the ads.  This power comes from Foucault’s Panopticon.  The public will be fearful of being different, and seen by their peers as different, and will succumb to the advertisements and purchase the products.  The Panopticon is easy to see how it functions, but in the real world, the so called “tower” is less obvious.  It is embedded within art, ads, schools, and clothing.  The Panoptic structure is alive in modern society today.  


The all seeing eye is representative of the tower in the Panopticon.